Born in Austin, Texas, raised in Boone, North Carolina, and educated at the University of North Carolina (Chapel Hill) and at Cornell University, John Crutchfield is a writer and performer currently based in Berlin, Germany. He is the recipient of a Morehead Foundation Scholarship, a Mellon Fellowship in the Humanities, and various grants and fellowships from the North Carolina Arts Council. His poems, essays, translations and reviews have appeared in a variety of literary and cultural journals, including Shenandoah, Seneca Review, Southern Review, Appalachian Journal, and Zone 3. His plays The Songs of Robert, Ruth, Twelve Treatises on Memory, Everything and God, Ivory, The Labyrinth, and Solstice have been produced regionally, as have various shorter works and adaptations, including Portrait and Interstice/Larkspur, a pair of one-acts dealing with the theme of addiction, and Caliban’s Dream and Black Snow Flying Upwards, or: My Embarrassment, two movement-based solo performances which premiered at the Asheville Fringe Arts Festival in 2007 and 2008 respectively. His one-man version of The Songs of Robert was featured in the 2009 New York Interntional Fringe Festival, where it won a Judges' Award for Outstanding Solo Performance.
An avid collaborator, John has created and performed multidisciplinary work with X Factor Dance, Sans Pointe Dance, G. Alex and the Movement, Legacy Butoh, Asheville Contemporary Dance theatre, and Anemone Dance Theatre. He has also appeared onstage as “Malvolio” in Twelfth Night (Appalachian State University), “Caliban” in The Tempest (Lenoir-Rhyne Players), "Banquo" and "Doctor" in Macbeth (NCStage), "Prosecutor" in David Mamet's Romance (Zealot), "Fraser" in Mac Wellman's Description Beggared, or: The Allegory of Whiteness (Warren Wilson College), "Peck" in Paula Vogel's How I Learned to Drive (Warren Wilson College), "Jekyll/Hyde" in Steve Samuels's When Jekyll Met Hyde (The Magnetic Theatre), and "Babe" in Julian Vorus's Rock Saber (The Magnetic Theatre).
John has been Artist-In-Residence at the North Carolina Governor’s School East, the Djerassi Artists Foundation, the Headlands Center for the Arts, the Vermont Studio Center, the Association d’Art de La Napoule (France) and the Pädagogische Hochschule Karlsruhe (Germany), as well as at various American schools, colleges, and universities. He is Artistic Director of My Favorite Leg Theatrical Company, a flexible collaborative devoted to creating new interdisciplinary performance, and an Associate Artistic Director at The Magnetic Theatre in Asheville, North Carolina, where he lived and worked for many years.
In addition to his work in theatre and literature, John is also a practicing musician, with experience on percussion, acoustic guitar, slide guitar, and clawhammer-style banjo. He has been an active participant in the vibrant Old Time music scene in Asheville, where he frequently performs in open jam sessions, as well as with the Old Time string bands Chicken Train and The New Southern Ramblers.
At present, John teaches part-time at the Free University of Berlin and works as a literary translator.